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modelz-si-org-one
GTIN4260141088961
manufacturerOrigin Live
Weight:0,30 kg

Plattenpuck - Gravity Two - Origin Live

Origin Live
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Advantages

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  • Complete ground-up redesign based on the award-winning Gravity One — sonically superior in bass, midrange and treble simultaneously
  • Just 70 grams — maximum vibration reduction without the dynamic penalties of heavy metal weights
  • Precision material assembly: anti-resonant polymer shell, precision-cut metal elements, wood and composite layers — tuned for destructive interference
  • Universally compatible — fits all turntables with spindle heights from 0 to 35 mm, no thread required
  • Group test winner (Audiophile Man): outperforms all rivals including Stack Audio Serene and HRS models
  • Dimensions: 70 mm diameter × 40 mm height — compact, precision-engineered, ready to use immediately

What is the difference between a record weight and a record clamp?

Both accessories share the same goal — securing the record as firmly and flatly as possible onto the platter — but they differ fundamentally in how they achieve it. A record weight (also called a record puck or stabilizer) simply sits on the spindle and uses its own mass to press the record down. Typical weights range from 200 to 800 grams. A record clamp, on the other hand, screws onto or grips the spindle mechanically, applying active pressure without necessarily adding significant mass. This makes clamps particularly well-suited for turntables with lighter motors or sensitive bearings, where a heavy weight would do more harm than good.

What sonic difference does a record weight or clamp actually make?

The effect is subtle but clearly audible on a high-quality system. The stylus should respond only to the movement of the groove — any external vibration that interferes directly costs sound quality. By improving the coupling between record and platter, resonances are damped: bass becomes more defined and reaches deeper, midrange clarity improves, and high-frequency resolution gains precision. There is also a speed stability benefit: the added mass increases the rotational inertia of the platter assembly, which can measurably reduce wow and flutter. Listeners with a revealing system will notice the difference clearly in a direct A/B comparison.

Is my turntable suitable for a record weight — or could it cause damage?

Compatibility depends primarily on the drive system and the bearing's load capacity. Direct-drive turntables with powerful motors — such as many Technics or Audio-Technica models — can typically handle moderate weights of up to around 400 grams without issue. Belt-drive turntables with quieter, lower-torque motors should be paired with significantly lighter weights, or a clamp should be preferred since it adds little extra mass. Special caution applies to turntables with suspended subchassis designs (such as Linn or classic Thorens models): a heavy weight can upset the carefully tuned suspension. When in doubt, consult the manufacturer's documentation or your specialist dealer.

Can record weights or clamps salvage warped records?

For slightly dished or mildly warped records, a weight or clamp can genuinely help: it presses the record centrally onto the platter and reduces the up-and-down movement of the groove during rotation — the stylus can track more steadily, and distortion caused by poor tracking decreases. Clamps are often even more effective here, as they apply tension outward from the centre, flattening the record more evenly across its surface. For severely warped records with pronounced waves or deformations, both accessories reach their limits — a dedicated record flattening device or professional treatment is the more appropriate solution.

How heavy should a record weight be — does more mass mean more benefit?

Not necessarily. The relationship between mass and sonic improvement is not linear. Lighter weights in the 200 to 400-gram range are the most sensible choice for the majority of belt-drive turntables — they improve coupling without stressing the motor or bearing. Heavier models above 600 grams can offer advantages on robust direct-drive turntables with bearings dimensioned accordingly, but they also increase wear on turntables not designed for that load. What matters is not the maximum possible weight, but the optimal weight for a given turntable. Many manufacturers — such as Pro-Ject or Clearaudio — tune their own weights and clamps specifically to the bearing load capacity of their models, making them a reliable first choice.

Which material is best for a record weight or clamp — aluminium, brass or stainless steel?

The choice of material influences both the resonant behaviour and the acoustic character of the accessory. Aluminium is lightweight, well-damped and the most widely used material — it resonates less at high frequencies and suits turntables with sensitive motors. Brass is considerably heavier and better suited to robust direct-drive decks; its rich sonic character is appreciated by many audiophiles. Stainless steel combines high mass with excellent corrosion resistance but can resonate more readily. Some manufacturers also use composite materials or POM (polyoxymethylene), an engineering plastic with outstanding damping properties. The key principle: the least resonant material is not automatically the best-sounding one — the interaction with platter mat, bearing and tonearm is what ultimately decides.

Weight or clamp — which is the better choice for my turntable?

The decision depends primarily on the type of turntable and personal listening priorities. A record weight is the simpler solution: place it on the spindle, no adjustment required, no thread to engage. It suits turntables with a powerful motor and a bearing dimensioned for additional load. A clamp offers the advantage of adjustable clamping pressure and places less strain on the bearing — ideal for sensitive belt-drive turntables or suspended designs. Those who mainly play 180-gram pressings on a solid direct-drive deck will be very well served by a well-chosen weight. Those who frequently play reissues on thinner vinyl, or who run a delicate belt-drive turntable, are better off long-term with a clamp. In either case: a quality product from an established manufacturer will always outperform a heavy no-name weight that burdens the bearing more than it benefits the sound.

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Delivery
Our standard delivery is free of charge from:

  • Germany 90,- €
  • Austria 200,- €
  • Switzerland 300,- €

Return shipment

  • A return shipment from Germany costs € 5.90

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Contact information according to Art. 19 EU GPSR

Postal address

Origin Live

Unit 5, 362b Spring Road
SO19 2PB Southampton
United Kingdom


Electronic address

E-Mail: originlive@originlive.com
Website: originlive@originlive.com


Responsible person according to Art. 19 EU GPSR


Postal address

Sieveking Sound GmbH & Co. KG

Plantage 20
28215 Bremen


Electronic address

E-Mail: originlive@originlive.com
Website: originlive@originlive.com

Vinyl Accessories · Record Stabiliser

Vibration is the invisible enemy of analogue playback. What the stylus encounters in the groove is rarely absolute silence — footfall, motor noise, reflected sound waves and power supply interference all overlay the signal before it ever reaches the amplifier. Record clamps and weights exist to counter this, yet conventional solutions trade stability for a sonic compromise: more bass, less transparency, compressed dynamics. Mark Baker, founder of Origin Live, spent over 25 years developing an alternative — and in 2020 fundamentally challenged the category with the Gravity One. At just 67 grams, with an entirely novel material concept, the Gravity One set a benchmark that competitors have been grappling with ever since.

Baker was not satisfied. The Gravity Two is not a revision — it is a complete redesign from scratch. Barely larger than its predecessor (70 mm diameter, 40 mm height, 70 grams), it conceals a highly complex, precisely tuned internal architecture of polymer, metal, wood and composite materials. The result: controlled bass with genuine depth extension, a richer yet transparent midrange — and a top end that remains open rather than collapsing under mass. The Gravity Two is not a weight. It is a precision instrument.

70 Gram Lightweight
Full vibration reduction without the dynamic penalties of heavy metal weights — control, not mass
Tuned Assembly
Multi-layer internal construction of polymer, metal, wood & composites — tuned for vibrational cancellation
Universal Fit
Fits all turntables with spindle heights from 0 to 35 mm — no thread, no adjustment required
Sound & Performance

The core problem with conventional record weights is well understood physically: mass couples the LP more firmly to the platter and damps resonances — but that same mass also shifts the resonant frequency of the entire platter-record system. The low end appears to gain body as the system's natural frequency drops. At the same time, the midrange loses openness, treble detail blurs, and dynamics take on a curiously sedated quality. Baker's approach inverts this logic entirely: rather than altering the system through mass, the Gravity Two acts directly at the source — absorbing and dissipating the vibrational energy that the stylus itself pumps into the groove before it can propagate through the vinyl.

The sonic outcome is unambiguous: bass gains definition and depth without sounding inflated. Vocals detach more cleanly from the mix and take on a more physical presence. Harshness and brightness that one had previously attributed to the recording itself turn out to be resonance artefacts — and vanish. Instruments emerge against a quieter, blacker background; the soundstage opens. Respected British reviewer Paul Rigby (Audiophile Man) awarded the Gravity Two the top spot in a comprehensive group test: superior to the HRS ADH, HRS ADL, the Soundeck Damping Puck — and to the Stack Audio Serene, which had until then been the strongest challenger in the field.

Construction & Materials

The outer shell of the Gravity Two is made from a specially selected anti-resonant polymer — deliberately not Delrin, which is widespread in the HiFi industry but acoustically suboptimal for this application. Structural reinforcement ridges increase the rigidity of the casing without introducing unwanted resonance paths. Inside, a highly complex tuned assembly does the real work: vibrational energy induced into the record by the stylus is dissipated through the interaction of precision-cut metal elements, layers of wood and composite materials via destructive interference — a principle well-established in professional vibration management, here achieved within an extremely compact form factor at just 70 grams total.

Origin Live refers internally to the "Loose Leaf" philosophy that runs through many of their products — from tonearms to turntables: components are connected firmly but never rigidly coupled. This deliberate flexibility within the assembly allows vibrations to be guided away in a controlled manner, rather than being trapped within the system or blindly suppressed. The Gravity Two applies this principle consistently — in a stabiliser that could hardly be simpler to use: place it on the spindle, lower the record, play music.

Compatibility & Context

The Gravity Two is designed for spindle heights from 0 to 35 mm, making it compatible with virtually all common turntables — from entry-level to high-end. No thread is required; the stabiliser rests solely on the record and transfers its effect directly into the vinyl. Origin Live tested the concept across a wide range of turntable types — sub-chassis, direct-drive and belt-drive — and documented equivalent improvements across all configurations.

Those familiar with the Gravity One will experience the Two as a clearly perceptible step forward — not a marginal refinement. Those trying the concept for the first time will wonder how they ever played records without it. The Gravity Two is not merely the finest record stabiliser in the Origin Live portfolio — by current assessment, it is the most effective product of its kind available.

Technical Specifications
Manufacturer Origin Live (United Kingdom)
Model Gravity Two
Weight 70 g
Diameter 70 mm
Height 40 mm
Compatible spindle heights 0 – 35 mm
Mounting No thread — rests on record surface
Outer shell Anti-resonant polymer with structural ridges (not Delrin)
Internal construction Tuned assembly: precision-cut metal elements, wood, composites, polymers
Operating principle Destructive interference — vibrational energy dissipated, not suppressed by mass
Compatibility All turntable types (belt-drive, direct-drive, sub-chassis)
Predecessor model Origin Live Gravity One (67 g)
Awards Group test winner (Audiophile Man, Paul Rigby)
Country of origin United Kingdom

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