Vinyl Accessories · Record Stabiliser
Vibration is the invisible enemy of analogue playback. What the stylus encounters in the groove is rarely absolute silence — footfall, motor noise, reflected sound waves and power supply interference all overlay the signal before it ever reaches the amplifier. Record clamps and weights exist to counter this, yet conventional solutions trade stability for a sonic compromise: more bass, less transparency, compressed dynamics. Mark Baker, founder of Origin Live, spent over 25 years developing an alternative — and in 2020 fundamentally challenged the category with the Gravity One. At just 67 grams, with an entirely novel material concept, the Gravity One set a benchmark that competitors have been grappling with ever since.
Baker was not satisfied. The Gravity Two is not a revision — it is a complete redesign from scratch. Barely larger than its predecessor (70 mm diameter, 40 mm height, 70 grams), it conceals a highly complex, precisely tuned internal architecture of polymer, metal, wood and composite materials. The result: controlled bass with genuine depth extension, a richer yet transparent midrange — and a top end that remains open rather than collapsing under mass. The Gravity Two is not a weight. It is a precision instrument.
70 Gram Lightweight
Full vibration reduction without the dynamic penalties of heavy metal weights — control, not mass
Tuned Assembly
Multi-layer internal construction of polymer, metal, wood & composites — tuned for vibrational cancellation
Universal Fit
Fits all turntables with spindle heights from 0 to 35 mm — no thread, no adjustment required
The core problem with conventional record weights is well understood physically: mass couples the LP more firmly to the platter and damps resonances — but that same mass also shifts the resonant frequency of the entire platter-record system. The low end appears to gain body as the system's natural frequency drops. At the same time, the midrange loses openness, treble detail blurs, and dynamics take on a curiously sedated quality. Baker's approach inverts this logic entirely: rather than altering the system through mass, the Gravity Two acts directly at the source — absorbing and dissipating the vibrational energy that the stylus itself pumps into the groove before it can propagate through the vinyl.
The sonic outcome is unambiguous: bass gains definition and depth without sounding inflated. Vocals detach more cleanly from the mix and take on a more physical presence. Harshness and brightness that one had previously attributed to the recording itself turn out to be resonance artefacts — and vanish. Instruments emerge against a quieter, blacker background; the soundstage opens. Respected British reviewer Paul Rigby (Audiophile Man) awarded the Gravity Two the top spot in a comprehensive group test: superior to the HRS ADH, HRS ADL, the Soundeck Damping Puck — and to the Stack Audio Serene, which had until then been the strongest challenger in the field.
The outer shell of the Gravity Two is made from a specially selected anti-resonant polymer — deliberately not Delrin, which is widespread in the HiFi industry but acoustically suboptimal for this application. Structural reinforcement ridges increase the rigidity of the casing without introducing unwanted resonance paths. Inside, a highly complex tuned assembly does the real work: vibrational energy induced into the record by the stylus is dissipated through the interaction of precision-cut metal elements, layers of wood and composite materials via destructive interference — a principle well-established in professional vibration management, here achieved within an extremely compact form factor at just 70 grams total.
Origin Live refers internally to the "Loose Leaf" philosophy that runs through many of their products — from tonearms to turntables: components are connected firmly but never rigidly coupled. This deliberate flexibility within the assembly allows vibrations to be guided away in a controlled manner, rather than being trapped within the system or blindly suppressed. The Gravity Two applies this principle consistently — in a stabiliser that could hardly be simpler to use: place it on the spindle, lower the record, play music.
The Gravity Two is designed for spindle heights from 0 to 35 mm, making it compatible with virtually all common turntables — from entry-level to high-end. No thread is required; the stabiliser rests solely on the record and transfers its effect directly into the vinyl. Origin Live tested the concept across a wide range of turntable types — sub-chassis, direct-drive and belt-drive — and documented equivalent improvements across all configurations.
Those familiar with the Gravity One will experience the Two as a clearly perceptible step forward — not a marginal refinement. Those trying the concept for the first time will wonder how they ever played records without it. The Gravity Two is not merely the finest record stabiliser in the Origin Live portfolio — by current assessment, it is the most effective product of its kind available.
| Manufacturer |
Origin Live (United Kingdom) |
| Model |
Gravity Two |
| Weight |
70 g |
| Diameter |
70 mm |
| Height |
40 mm |
| Compatible spindle heights |
0 – 35 mm |
| Mounting |
No thread — rests on record surface |
| Outer shell |
Anti-resonant polymer with structural ridges (not Delrin) |
| Internal construction |
Tuned assembly: precision-cut metal elements, wood, composites, polymers |
| Operating principle |
Destructive interference — vibrational energy dissipated, not suppressed by mass |
| Compatibility |
All turntable types (belt-drive, direct-drive, sub-chassis) |
| Predecessor model |
Origin Live Gravity One (67 g) |
| Awards |
Group test winner (Audiophile Man, Paul Rigby) |
| Country of origin |
United Kingdom |