modelz-bf-ddd
manufacturerBlack Forest Audio
Weight:0,40 kg

DÄD!CLÄMP - Record clamp - Black Forest Audio

Black Forest Audio
Delivery Wed 05. Aug - Fri 07. Aug 2026  **

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Advantages

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  • - Completely metal-free record clamp - no energy transfer via the platter axle into the record
  • - Only 100 gram mass - universally applicable on mass turntables, sub-chassis and direct drive turntables
  • - Bell-shaped pressure via elastic washer effectively irons out slight undulations
  • - Adjustable clamping pressure thanks to plastic collet with screw and press screw
  • - Developed by Volker Kühn (Black Forest Audio) - successor to the legendary Audioplan DampClamp from 1985
  • - Ideal complement to the DÄD!MÄT - together they form a complete mechanical decoupling solution

What is the difference between a record weight and a record clamp?

Both accessories share the same goal — securing the record as firmly and flatly as possible onto the platter — but they differ fundamentally in how they achieve it. A record weight (also called a record puck or stabilizer) simply sits on the spindle and uses its own mass to press the record down. Typical weights range from 200 to 800 grams. A record clamp, on the other hand, screws onto or grips the spindle mechanically, applying active pressure without necessarily adding significant mass. This makes clamps particularly well-suited for turntables with lighter motors or sensitive bearings, where a heavy weight would do more harm than good.

What sonic difference does a record weight or clamp actually make?

The effect is subtle but clearly audible on a high-quality system. The stylus should respond only to the movement of the groove — any external vibration that interferes directly costs sound quality. By improving the coupling between record and platter, resonances are damped: bass becomes more defined and reaches deeper, midrange clarity improves, and high-frequency resolution gains precision. There is also a speed stability benefit: the added mass increases the rotational inertia of the platter assembly, which can measurably reduce wow and flutter. Listeners with a revealing system will notice the difference clearly in a direct A/B comparison.

Is my turntable suitable for a record weight — or could it cause damage?

Compatibility depends primarily on the drive system and the bearing's load capacity. Direct-drive turntables with powerful motors — such as many Technics or Audio-Technica models — can typically handle moderate weights of up to around 400 grams without issue. Belt-drive turntables with quieter, lower-torque motors should be paired with significantly lighter weights, or a clamp should be preferred since it adds little extra mass. Special caution applies to turntables with suspended subchassis designs (such as Linn or classic Thorens models): a heavy weight can upset the carefully tuned suspension. When in doubt, consult the manufacturer's documentation or your specialist dealer.

Can record weights or clamps salvage warped records?

For slightly dished or mildly warped records, a weight or clamp can genuinely help: it presses the record centrally onto the platter and reduces the up-and-down movement of the groove during rotation — the stylus can track more steadily, and distortion caused by poor tracking decreases. Clamps are often even more effective here, as they apply tension outward from the centre, flattening the record more evenly across its surface. For severely warped records with pronounced waves or deformations, both accessories reach their limits — a dedicated record flattening device or professional treatment is the more appropriate solution.

How heavy should a record weight be — does more mass mean more benefit?

Not necessarily. The relationship between mass and sonic improvement is not linear. Lighter weights in the 200 to 400-gram range are the most sensible choice for the majority of belt-drive turntables — they improve coupling without stressing the motor or bearing. Heavier models above 600 grams can offer advantages on robust direct-drive turntables with bearings dimensioned accordingly, but they also increase wear on turntables not designed for that load. What matters is not the maximum possible weight, but the optimal weight for a given turntable. Many manufacturers — such as Pro-Ject or Clearaudio — tune their own weights and clamps specifically to the bearing load capacity of their models, making them a reliable first choice.

Which material is best for a record weight or clamp — aluminium, brass or stainless steel?

The choice of material influences both the resonant behaviour and the acoustic character of the accessory. Aluminium is lightweight, well-damped and the most widely used material — it resonates less at high frequencies and suits turntables with sensitive motors. Brass is considerably heavier and better suited to robust direct-drive decks; its rich sonic character is appreciated by many audiophiles. Stainless steel combines high mass with excellent corrosion resistance but can resonate more readily. Some manufacturers also use composite materials or POM (polyoxymethylene), an engineering plastic with outstanding damping properties. The key principle: the least resonant material is not automatically the best-sounding one — the interaction with platter mat, bearing and tonearm is what ultimately decides.

Weight or clamp — which is the better choice for my turntable?

The decision depends primarily on the type of turntable and personal listening priorities. A record weight is the simpler solution: place it on the spindle, no adjustment required, no thread to engage. It suits turntables with a powerful motor and a bearing dimensioned for additional load. A clamp offers the advantage of adjustable clamping pressure and places less strain on the bearing — ideal for sensitive belt-drive turntables or suspended designs. Those who mainly play 180-gram pressings on a solid direct-drive deck will be very well served by a well-chosen weight. Those who frequently play reissues on thinner vinyl, or who run a delicate belt-drive turntable, are better off long-term with a clamp. In either case: a quality product from an established manufacturer will always outperform a heavy no-name weight that burdens the bearing more than it benefits the sound.

This article received tests and reviews in the following specialist magazines and forums:

Hifi Magazine / Forum - Date Link / Award
listen and feel listen and feel
   

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  • A return shipment from Germany costs € 5.90

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Contact information according to Art. 19 EU GPSR

Postal address

Black Forest Audio
Gerd Volker Kühn
Rosenstrasse 50
D-76316 Malsch/Karlsruhe


Electronic address

E-Mail: BlackForestAudio@t-online.de
Website: www.blackforestaudio.de

Vinyl accessories - Record clamp - Made in Germany

The debate about record weights and record clamps is as old as the audiophile claim itself - and usually the really decisive questions are not asked. A heavy metal weight presses the record flat? Yes. But at the same time it adds considerable mass to the system, absorbing mechanical waste energy from the scanning process and returning it - with a time delay - to the stylus. The bass is more powerful, which sounds seductive. What is lost is the fast, weightless transparency of genuine bass reproduction - as experienced live in a symphony orchestra: eight double basses filling the room without carrying an ounce of weight.

At the same time, a conventional metal clamp conducts interference energy directly into the record via the platter axis - a transmission bridge that is hardly outweighed by the effect of the flatness. Volker Kühn, founder of Black Forest Audio and developer of the legendary Audioplan DampClamp (1985), developed the DÄD!CLÄMP as a consistent response to precisely these contradictions: a record clamp that simultaneously fixes, damps and irons - and all this with a total weight of just 100 grams, completely without metal.

Metal-free
Made entirely of damping plastic composite material - no energy bridge via the platter axis into the record
Only 100 grams
Can be used universally - even on sub-chassis turntables and direct drive turntables without bearing load
Three functions
Fixing, interrupting the energy flow and bell-shaped ironing of wavy records - in a single tool
Physics & concept

The concept of the DÄD!CLÄMP is based on a clear physical premise: The connection between record and platter should be mechanically stable and acoustically neutral - two goals that are fundamentally contradictory in practice when metal is the only material used. Metal is rigid, has low internal damping and conducts mechanical energy almost loss-free. Any vibration applied to the center mandrel - be it from the motor drive, the bearing or floor resonances - travels via a metal clamp directly into the record and from there to the stylus. The ear registers this as an apparently positive effect: more foundation, more body. What actually happens is a discoloration of the signal due to superimposed external energy.

The DÄD!CLÄMP solves this contradiction by using a mix of materials without any metal. The clamping force is transmitted via a plastic collet with screw pressure - tight enough to hold the plate securely on the platter, but without a metallic energy bridge. An elastic washer transfers the pressure in the shape of a bell over the plate surface, which creates two effects at the same time: the plate lies flat on the plate and slight undulations are ironed over the surface - more effective than any point-shaped clamping force from above.

The total weight of 100 grams is not a compromise, but a principle. Inertia drives with a heavy platter can cope with significantly heavier clamps - but they don't have to. On sub-chassis designs such as the Linn Sondek, Thorens TD 125 or similar sprung turntables, a 400 gram weight measurably changes the spring tuning, the bearing load and the dynamic behavior of the chassis. The DÄD!CLÄMP is the only tool of its kind that can be used on such turntables without restriction and without changing the system.

Sound impression & trade press

The sound effect of the DÄD!CLÄMP is described remarkably uniformly in the trade press and among users - and deviates significantly from the typical description pattern of record weights: no thickened bass, no supposed increase in body. Instead, listeners report a clearer, more transparent sound, more dynamics, more precise spatial imaging and a bass that seems faster and more contoured. The retailer Audio-Freak puts it in a nutshell: the DÄD!CLÄMP does "quite amazing things" in terms of sound and is definitely worth trying out.

Bohne Audio, who have tested the terminal on Thorens TD 1600 and Reed Muse 3C, confirm this: The DÄD!CLÄMP makes the analog performance "simply a tad better in terms of sound" - a sober verdict that says more than flowery superlatives. It has been developed with brains and implemented with understanding, is the conclusion. The sister mat DÄD!MÄT was praised by the trade press with statements such as "The mat of mats!" (LP) and "An awesome piece!" (HiFi & Musik Journal) - the DÄD!CLÄMP is the logical extension of this concept to the connection side of the record.

Installation & compatibility

The DÄD!CLÄMP is supplied ready for use. Handling follows a clear procedure: loosen the clamping screw, turn the pressing screw to the left until the guide is flush with the edge of the bell, grip the clamp with your thumb and three fingers - the index finger presses the guide down and opens the collet - place it on the platter axle, tighten the clamping screw and readjust the pressing screw. Experience will accumulate automatically after a few plate changes.

The DÄD!CLÄMP fits on drives with a center axis length of at least 8-10 mm above the plate and a mandrel diameter of approx. 6.8-7.2 mm. For turntables with inch threads on the mandrel (some older Thorens and Linn models), Black Forest Audio offers suitable adapter parts. Extension solutions are available on request for turntables with a short mandrel length - for example if the DÄD!MÄT (5 mm) and record (2 mm) already occupy most of the mandrel. Basically, the DÄD!CLÄMP is one of the few accessories in the analog sector that works with the same benefit on mass turntables such as sub-chassis turntables and direct drive turntables.

Technical data
Manufacturer: Black Forest Audio Black Forest Audio, Gerd Volker Kühn, Malsch/Karlsruhe
Model DÄD!CLÄMP record clamp
Provenance Made in Germany
material Plastic composite material, damping - completely metal-free
Weight approx. 100 g
Dimensions (Ø × H) approx. 90 × 50 mm
Clamping mechanism Plastic collet with screw pressure, adjustable contact pressure
Pressure system Bell-shaped via elastic washer - irons out slight undulations
Suitable mandrel diameter approx. 6.8-7.2 mm (inch thread: adapter on request)
Required mandrel length Mandrel length min. 8-10 mm above the record
Field of application Universal inertia turntables, sub-chassis turntables, direct drive turntables
Recommended combination Black Forest Audio DÄD!MÄT (platter support)
Scope of delivery 1 × DÄD!CLÄMP, 1 × elastic washer, operating instructions

 

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