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Weight:0,30 kg

M - CARBONSPACER SET - Carbon discs - Millennium

Millennium Audio Vision
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  • — Precision carbon fibre spacers for exact cartridge height adjustment at the headshell — tonearm geometry to the tenth of a millimetre
  • — Two split 0.15 mm halves allow one-sided shimming for precise azimuth correction without mechanical adjustment of the tonearm
  • — Carbon actively damps resonances between cartridge and headshell, directly influencing the resonance behaviour of the tonearm
  • — Non-magnetic stainless steel screws in five lengths (M2.5 × 8–20 mm) and four nuts included — no additional parts required
  • — Graduated spacers from 0.15 mm to 3.0 mm — combinable for over 5 mm total height
  • — Handcrafted in Germany by Millennium Audio Vision — a benchmark for analogue precision accessories for over 15 years

What is a headshell and what role does it play on a turntable?

The headshell is the connecting element between the tonearm and the cartridge. It slots or screws onto the end of the tonearm tube and holds the cartridge (the stylus-pickup unit) in place. The four delicate signal wires of the cartridge are routed through the headshell to the internal wiring of the tonearm. But a headshell is far more than a simple bracket: its mass, material and resonance characteristics directly influence the dynamic behaviour of the cartridge system — and therefore the sound ultimately retrieved from the groove.

Which mounting system fits my turntable — and how do I identify it?

By far the most widespread standard is the SME bayonet (also called the "universal headshell connector"): an oval socket with a twist-lock mechanism found on the majority of Japanese and European tonearms — including Technics, Audio-Technica, Ortofon, Jelco and many others. Beyond this, manufacturer-specific connectors exist, such as the Linn system or fixed tonearms with no removable headshell at all. Before purchasing, always check your turntable's manual or consult your dealer — an incompatible connection cannot simply be adapted.

What sonic difference does headshell material make — aluminium, magnesium or carbon?

The material largely determines how the headshell responds to resonances generated by the cartridge and the record itself. Aluminium is the classic choice: affordable, well-damped and forgiving in combination with most cartridges. Magnesium is simultaneously lighter and stiffer — its high specific rigidity shifts unwanted self-resonances into non-critical frequency ranges, resulting in a more precise, more detailed sound. Carbon fibre offers the best stiffness-to-weight ratio of all, damps internal vibrations effectively and is particularly prized in high-end systems. As a rule of thumb: the more capable the cartridge, the more worthwhile it is to invest in a magnesium or carbon headshell — only then can the cartridge fully realise its potential.

How important is headshell weight, and how does it affect tonearm setup?

Headshell weight is a central parameter in system alignment. Together with the compliance (flexibility) of the cartridge, the effective mass of the tonearm — to which the headshell contributes significantly — determines the resonance frequency of the entire system. Ideally this should fall between 8 and 12 Hz: too low and the tonearm becomes prone to motor rumble resonances; too high and the system struggles with warped records and low-frequency disturbances. Headshells are therefore available in different weight classes, typically between 7 and 15 grams. Many manufacturers supply additional weights with their headshells to fine-tune effective mass — a valuable tool when running cartridges with very high or very low compliance.

Can any cartridge be mounted on any headshell?

Broadly speaking, yes — provided the cartridge uses the standard half-inch (½") mounting spacing that virtually all common MM and MC cartridges follow. The headshell's mounting holes are designed for this standard. What varies is the range of longitudinal adjustment available: make sure your headshell offers sufficient scope to set the correct overhang for your tonearm length and preferred distortion-minimisation geometry (Baerwald, Stevenson or Löfgren). Some manufacturers offer headshells with slotted rather than fixed mounting holes — these provide considerably more flexibility during initial setup and make alignment noticeably easier.

How do I mount a cartridge correctly on a headshell — what should I watch out for?

The process requires care but no specialist tools. First, attach the four colour-coded clips (headshell leads) to the cartridge pins — red right (+), green right (−), white left (+), blue left (−). Then fix the cartridge to the headshell with the supplied miniature screws and nuts, without yet finalising the overhang or azimuth. Once inserted into the tonearm, use an alignment protractor to set the correct overhang, check the azimuth (cartridge perpendicular to the record surface), verify the offset angle, and finally set the tracking force and anti-skating compensation. Only once all parameters are confirmed should the mounting screws be tightened — firmly but not excessively, to avoid stressing the cartridge body.

Is a high-quality headshell worth it even with a mid-range cartridge?

Yes — and this is one of the most consistently underestimated upgrades in the analogue chain. A quality headshell made from magnesium or carbon reduces parasitic resonances that would otherwise blur detail and shrink the soundstage. Even a mid-priced cartridge can perform noticeably better in a resonance-free, precisely machined headshell than when clamped in a heavy budget aluminium shell. Conversely, an expensive MC cartridge in a poorly suited headshell will never reach its capabilities. The headshell is not an afterthought — it is a fully active link in the signal chain, and one of the most cost-effective improvements available in analogue playback.

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Warped records are gently flattened and tempered with controlled heat – so the stylus glides calmly through the groove again.

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Contact information according to Art. 19 EU GPSR

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Audio Reference GmbH

Alsterkrugchaussee 435
22335 Hamburg

Turntable · Tonearm Setup · Made in Germany

Anyone running a high-quality cartridge knows the challenge: tonearm geometry — VTA, azimuth, tracking force — largely determines how much of the groove's information actually reaches your amplifier. Even tiny deviations in mounting height cause phase errors, tonal colouration and accelerated stylus wear. The Millennium Audio Vision M-Carbonspacer Set addresses this precisely: precision-machined carbon fibre spacers in fine gradations, placed between headshell and cartridge for surgical height adjustment — without touching the tonearm itself.

Carbon is not chosen merely for its dimensional stability. As a CFRP (carbon fibre reinforced polymer), it combines exceptional stiffness with high internal damping — a property that distinguishes it from aluminium or plastic shims. Carbon attenuates micro-resonances that can build up at the cartridge-to-headshell interface, the critical mechanical link between stylus and tonearm. Millennium Audio Vision, a respected German specialist with over 15 years in analogue accessories, applies the same material philosophy found in their acclaimed M-LP-Matte and Blackshell headshell.

VTA & Azimuth
Height compensation and one-sided azimuth correction with a single set — from tenths of a millimetre to 3.0 mm
Carbon Damping
CFRP damps intrinsic resonances and actively shapes the resonance behaviour of the tonearm-cartridge system
Made in Germany
Handcrafted by Millennium Audio Vision — non-magnetic stainless steel screws included
Setup & How It Works

The VTA (Vertical Tracking Angle) — the angle at which the stylus contacts the groove — is calibrated to match the cutting angle used during mastering, typically 20°. If the cartridge mounting height deviates from this ideal, a phase shift occurs between low and high frequencies: bass becomes soft and ill-defined, treble loses air and extension, and the soundstage collapses. A height deviation of just a few tenths of a millimetre is both measurable and audible — exactly the range where the finest spacers in this set operate.

A particular strength of the set is azimuth correction. The two split 0.15 mm halves are not used as a full shim but placed one-sidedly — left or right only — beneath the cartridge body. This imparts a minimal tilt until the cantilever is precisely perpendicular to the record surface. Azimuth errors that cannot be sufficiently corrected at the tonearm are thus compensated without disturbing the arm's geometry or requiring a new headshell.

The carbon material itself is not a passive filler. CFRP has greater stiffness than most headshell materials while offering characteristically high internal damping. This changes the mechanical impedance at the cartridge-headshell interface — and therefore the resonant behaviour of the entire tonearm-cartridge system. Depending on cartridge and tonearm, different spacer thicknesses and combinations can produce noticeably different sonic results. The set therefore invites systematic listening experiments: which thickness and combination makes your system sing?

Contents & Application

The set contains seven carbon spacers in graduated thicknesses — from the ultra-fine 0.15 mm halves to the 3.0 mm spacer. Each shim measures approximately 20 × 22 mm, covering the mounting area of virtually all common headshells. Combinations allow total heights exceeding 5 mm. Also included are five screw lengths in M2.5 (8 to 20 mm) plus four nuts — all in non-magnetic stainless steel that, unlike standard brass hardware, has no interaction with the cartridge generator's magnetic field. For verification after installation, a digital levelling tool such as the Millennium M-Libelle is recommended.

The M-Carbonspacer Set pairs perfectly with the Millennium Anlegeblock for precise VTA measurement and the Protractor Set for overhang verification after fitting. Together they form a complete analogue setup ecosystem from a single manufacturer — crafted with the precision and uncompromising quality standard that Made in Germany has always represented in high-end audio.

Technical Data & Contents
Manufacturer Millennium Audio Vision (Germany)
Model M-Carbonspacer Set
Spacer material CFRP (carbon fibre reinforced polymer)
Spacer dimensions approx. 20 × 22 mm
Spacers included 2 × half-spacer 0.15 mm · 1 × 0.15 mm · 1 × 0.35 mm · 2 × 1.00 mm · 1 × 3.0 mm
Screws included 2 × M2.5 × 8 mm · 2 × M2.5 × 12 mm · 2 × M2.5 × 16 mm · 2 × M2.5 × 18 mm · 2 × M2.5 × 20 mm
Nuts included 4 × nut M2.5
Screw material Non-magnetic stainless steel
Application VTA height adjustment, azimuth correction, tonearm/cartridge resonance tuning
Mounting position Between headshell and cartridge body
Compatibility Standard M2.5 fixing — universal for all common headshells
Origin Made in Germany
Recommended accessories Millennium Anlegeblock, Millennium Protractor Set, Millennium M-Libelle

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